Showing posts with label Hollywood. Show all posts
Showing posts with label Hollywood. Show all posts

Monday, November 18, 2019

Things That Make you go "Aww!"

When I see the below pic of the new "Charlie's Angels," my first reaction is to say, "Aww." They look like children playing big people games. Infantilization is swiftly making it difficult to take actors seriously in certain roles because they still look and act very much like pre-teens and teenagers.  No wonder it's a flop.


Never mind that it's already been remade once or that there's only one pretty one (the one in the middle) or that Elizabeth Banks has clearly lost her mind, that still says it all!

And people wonder why I express almost zero interest in seeing my work adapted by Hollywood!

Friday, August 30, 2019

RECOMMENDATIONS- 3 MOVIES, 2 BOOKS

Since I don't have any new publication info to share, I thought I'd use this space to discuss the quality work of others. I am, after all, an admirer of good writing. I also like to recognize it in various formats, my feelings regarding the inherent superiority of the printed medium notwithstanding, one would have to be a fool to not recognize the brilliance often found on film.

So, I'll start with two movies I absolutely loved and one good one that should have been even better:


  • Brightburn- A movie written by filmmaker James Gunn's brothers Brian and Mark, this is the anti-superhero movie I've been waiting for. Basically taking the Superman origin story and turning it on its head, this film reminds us how helpless we would be if a nearly all-powerful alien who looked like us arrived on Earth without heroic impulses. The movie is relatively small, prviding an intimate portrayal of its subject, and the payoff is disturbing and thought-provoking with the promise of more to come.

  • Fast Color- Another stripped-down superhero story, this one deals with a lineage of African-American women (although the main protagonist is bi-racial) who have concealed their amazing powers from the world for centuries. Unfortunately, the world is running out of water and desperation had led a team of government-backed scientists to pursue any means necessary to fix what the human race has broken. This includes a woman named Ruth, portrayed by the distractingly beautiful Gugu Mbatha-Raw. A movie that it once a subtle Apocalyptic tale, a rumination of race and family and love, it is a slow-mover but well worth it. 

  • Batman: Hush- This is the one I can't fully recommend. I'm not sure if I made the mistake of reading the source material first or if having done so was a good move, because the drop-off in quality is significant. Don't get me wrong. The movie is well-made. Warner Bros.' DC movies still have the best voice acting around and director Sam Liu has become quite good at getting consistent performances and suspense in these newer films. However, the treatment of the vastly superior graphic novel is spotty and the new twist simply does not work. One issue some of these newer animated films has is their tendency to take deeper storylines and given them a superficial makeover. Ultimately a good movie but should have been one of the best.

Books:


  • Master and Apprentice- As big a "Star Wars" fan as I am, it's often difficult for me to complete the novels. However, once in a while one comes along I simply cannot put down and this was one of those. Focusing on a pivotal moment between Jedi Master Qui Gon Jinn and Padawan Obi-Wan Kenobi, Claudia Gray spins an interesting tale that is just big enough to warrant not two but three Jedi Knights but small enough to not over-shadow the movies. Definitely worth a read.

  • Becoming Superman: My Journey from Poverty to Hollywood- J. Michael Straczynski has long been one of my writing heroes. "Babylon 5" came along just as I was jumping off the Trekkie train and swiftly became my favorite science fiction series of all time. I have also followed his work in the comics medium and movies as well as his stint with one of "Twilight Zone" reboots. But I never knew what a horrible, abusive, traumatic childhood he'd led. I'm not even finished with this one yet and I'm already recommending it! 

Thursday, November 29, 2018

Bill Maher's Predictible Reaction.

Last week, I posted my thoughts on Bill Maher's response to the way people were reacting to the death of the beloved face of Marvel Comics and movies, Stan Lee. In that piece I discussed how any hostile response to what he wrote would only fuel Maher's resolve that he was indeed correct about comics being useless, disposable kiddie fare. Well, never one to disappoint when it comes to showing his ass in the most misguided manner possible, Maher did what Maher does and dug in.

In an interview with Larry King, who I thought was long gone from the airwaves, he said,
"...I don’t read comic books. I didn’t even read them when I was a child. What I was saying is: A culture that thinks that comic books and comic book movies are profound meditations on the human condition is a dumb fucking culture. And for people to, like, get mad at that just proves my point.”

As I mentioned in my previous post, Maher believes intellectualism has a narrow definition. And apparently inconsistencies are irrelevant.

For instance, Maher clearly wrote in his post that pissed off the world, “Now, I have nothing against comic books — I read them now and then when I was a kid and I was all out of Hardy Boys,” he explained. “But the assumption everyone had back then, both the adults and the kids, was that comics were for kids, and when you grew up you moved on to big-boy books without the pictures.” 

The second half of his point is well-taken; until the Eighties, comics were mostly for kids and teens. However, the first part of his point jumps out because he contradicts it in his comments to Larry King when he says he didn't read comics as a child. Clearly Maher is more interested in making a point than in being accurate, so let's move on to that point.

As I wrote before, somewhere buried in his dismissive claptrap is a salient point. You can read or reread that post for more details on what I mean. Still, Maher is hopelessly stuck in the past when it comes to comics. He has no idea what has been done with them in the modern era and, in typical Maher fashion, he doesn't really give a rat's ass. He is right because he is right because he is Bill Maher.

Instead of being a true intellectual and saying to himself, "Wow. Even setting aside the less well-thought out, angry reactions, an awful lot of intelligent people made some rather impassioned and reasoned points. Maybe I should look into this further." Sadly, that would entail the ability to admit one is wrong and to learn new things that challenge the old things we thought we knew.

I suppose that's where the real disappointment lies. Maher was once an entertaining, albeit arrogant comedian and TV host who encouraged open discussion of issues. His snarky jokes were often biting and incisive. Somewhere along the way, he became too full of himself and decided to be the self-appointed guardian of intellectualism, a job for which he is not at all qualified. This could have been his moment. Bill Maher could have actually stepped out of his own ass for once and admitted he was narrow-minded. Even if he'd still mostly stood by what he said, Maher still could have made room for other ways of thinking. By not doing so, he reveals himself to be no better than the conservatives he criticizes on a weekly basis.

Or, y'know, maybe I just proved his point, too.

Saturday, September 8, 2018

R.I.P. Burt Reynolds

Burt saw this coming, hence the book "But Enough About Me" but it still hurts to lose one of the iconic actors of my youth. Because of his incredible sense of humor despite all the screwing over he received from Hollywood, the cartoon below is both appropriate and fitting. A fond farewell to the man who chose fun roles over heady ones because that's how he chose to live his life.



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