Thursday, November 10, 2022

Excerpt from "2012/21," the First-Draft-Completed-Editing-in-Progress-Novel






This is not where I truly belong. This is a nightmare of epic proportions, the kind of bad dream brought on by late night drinking and total despondency. 

The smell is the first thing to hit me, followed by the sight of bodies stacked as high as the eye can see. I shouldn’t be able to smell anything in this state and I for damn sure shouldn’t be able to handle such a smell without gagging. That means I’m being allowed to experience the stench of death and decay without becoming overpowered. Unlike me, the living walk around in those yellow containment suits you see in movies when there’s been some type of outbreak. 

Somewhere not too far away, somebody cries. It is impossible to tell the sex or age of the person because the despair they express transcends any of that. The grief stretches throughout the street as refrigerated trucks are loaded with body after body. The loaders aren’t even using gurneys, they’re just grabbing the dead people from both ends and tossing them inside the truck into the storage beds like sacks of wheat.

Someone yells, “Christ, Craig! This one’s still alive!”

I can’t see who said this or who they are talking about, but the flurry of activity points to one of the trucks further down the line. 

“What the fuck, Craig?” a female voice says. “How many times do I need to tell you to check them before you shuck them?”

Craig utters a sheepish, “Sorry.” 

That’s the last thing I hear before the scene shifts to what appears to be the outside of a hospital where, if I’m not mistaken, a group of angry people are brandishing protest signs and yelling at medical staff. What could these people have possibly done to incur such rage?

“Fucking crisis actor!” the big guy in the red baseball cap nearest me says, spit flying from his mouth.

The woman in scrubs standing like a statue before him wears a surgical mask and says nothing as he keeps accusing her of lying to the American people and calling her a pedophile.

Where the hell did that come from?

None of the medical folks are reacting to the angry men screaming in their faces like demented toddlers. It’s probably the bravest thing I’ve ever seen, except I don’t know what the hell is going on.

Where is my guide? I don’t care how hideous it is, I would welcome its presence right now. It would be far less nightmarish than what I’m witnessing from my fellow human beings. 

I decide to walk on, past the unmoving medical staff, past the angry, mostly unmasked protestors, past the news crews who are obviously eating all this shit up. I need sanity, peace, something that makes sense. I find the exact opposite on the next block.

Pamphlet-waving, saliva-spewing men and women beckoning all of us who pass by to come hear what they have to say. Most of them want us to sign their petitions for this group or against that group or for no group at all. They have markedly different beliefs but they all somehow sound the same. This whole scene feels less like reality and more like metaphor, but there’s a gritty realism to the whole affair that stubbornly keeps me from dismissing it as such.

Ignoring the shouting would-be activists, I glance to my right and stop dead in my tracks. On the side of an abandoned brick building, somebody has painted, in giant red letters: THE MAYANS WERE WRONG!

It’s all too much. I don’t feel myself hit anything when I pass out, but everything goes black

 

Excerpt from "This Evil Sky" a Novel-in-Progress

 Sleep does not come easy for a killer with a conscience. In fact, it remains ever elusive following a job. The more successful the job, the less likely there will be sleep. Alan is no exception to this rule, which is the only reason he isn’t rudely awakened by the pounding on his door. Throwing on a bathrobe and grabbing a nearby pistol, he walks to the front door of his apartment and stands off to the side as he gazes through the peephole. 

Wonderful. 

He opens it and breathes a heavy sigh.

Detective Moran. To what do I owe the displeasure?

The detective sneers and looks Alan up and down. Still awake, huh?

I’m a light sleeper.

Moran nods and asks if he can come in. Alan tells him he can, but may he?

Moran sneers again, his bearded face a mask of annoyance. How about we cut the crap?

(Shrugging) Fine. Let me just open my robe up nice and wide.

(Face contorted) Excuse you?

Well, if you’re gonna bust my balls as usual, I might as well grant total access.


Friday, September 30, 2022

Why "Andor" is Basically Terrible

So, imagine you invented something truly revolutionary. Picture all the people who were there when you did it, who helped and supported you and were part of it. Interesting people, I'm sure. Now imagine the person who stamped the paperwork so your patent was pending. 

That's who Andor is.

I'll admit I didn't have the highest anticipation for a "Star Wars" Disney+ series about a character whose imprint on the franchise was basically as a homicidal pile of ashes. He was meant to be an expendable Rebel whose actions aided in obtaining the Death Star plans so other people could blow it up and nobody would ever mention the names of the team he was on again; they were little more than a means to an end.

It's the most unnecessary origin story since Dumb & Dumberer. Why anyone cares about such a dull, detached character is truly baffling, as is the apparent need of screenwriter and creator of the cannon fodder character Tony Gilroy to provide a backstory to the backstory that feels like something from a very old, cheesy short story. It is even duller than Andor himself, if that's possible.

There seems to be a trend when it comes to streaming TV series to go at least two episodes without anything of note happening before rewarding the audience with some much needed, well-choregraphed action or suspense. Such was the case here where we waited an interminable amount of time and to entire episodes for something, anything, to happen to break up the monotony of the snail's pace and the constant need to world build a universe that has already been world built.

By the time the end of the fourth and once again totally eventless episode had ended, I found myself laughing at the abrupt ending.

As of this writing, I have watched four episodes of this dreadful waste of gigabytes and have no intention of continuing. It's too slow, there is only one interesting character, Stellan Skarskgard's Luthen Rael, a character who starts out like something out of a classic spaghetti western and slowly devolves into a cliché-riddled playacting chameleon. There is literally not one other character of note, including the droid.

Andor's troubles with the law after killing a guy for sitting on the ground don't make for riveting TV, nor do they make the protagonist anything less than a ruthless psychopath with a puppy dog face. He deserves to be caught and locked up if not worse. Anyone who's seen Rogue One knows he deserves even more than that because of what he does to the rebel with the bad leg. Andor is a lowlife who walks around looking innocent and pretending to be a victim. If ever there was a "hero" for the new age, it's him. 

So, to sum up we have a morally bankrupt screw-up joining a rebellion so he can one day murder an innocent man without the slightest twitch and nearly kill a young woman's father with a sniper rifle after lying to her. We also have a pace that is agonizingly slow, a soundtrack that is slumber-inducing, and not a Jedi to be seen. There are people who think the lack of Jedi is a good thing. I find that viewpoint idiotic.  

I find Andor idiotic as well. Bring on Asoka!





Tuesday, September 13, 2022

Fanaticism at War with Creativity (and it's winning)

 


It's obvious now in the U.S. that we got used to thinking all the censorship and persecution was in the past. Movies are made about it and tons of books have been written on the subject. Most of these presumed an evolved, more aware society looking back on a terrible time with the perspective of those who have learned "the lesson" and moved forward. 

It turns out the religious fanatics were quietly getting themselves into positions where they could enact sweeping censorship across the entire nation, the South in particular. This is not an altogether surprising event to me. I have been tracking the Religious Right's mostly successful strategy since the 1990s. Once they realized Ronald Reagan was not the Evangelical-friendly president they'd been hoping for, they set their sites on more realistic targets. Local school boards, City Councils, small-town mayoral elections and even courtrooms were slowly infiltrated by them until the time came for them to begin enacting their agenda for social control in the name of spiritual salvation.

And they were really, really good at it too.

"Questionable" books began to be challenged in school libraries. Laws were passed that would never have withstood the light of day a mere decade before. Harmful deprogramming techniques aimed at gays gained popularity in certain circles and there was a bizarre shift from blaming Jews for the crucifixion of Jesus to hailing them as wonderful because in their view, these people needed to be slaughtered in order to bring on those wonderful End Times. But that's okay because they will be given a second chance to accept Christ as the messiah and everybody will live happily ever after for a thousand years because ancient people couldn't conceive of a number larger than that.

But let's take a quick step back. This is a highly motivated, resentful and frighteningly large group of Americans who have felt marginalized and disrespected for generations. And, to be fair, they kind of were. Most mainstream so-called "secular" Americans saw them as little more than a pack of ignorant hayseeds, members of a vocal minority whose predilection for following flawed, charismatic nutjobs had descended into self-parody. And, to be fair, they kind of had. 

So, where did that leave us? Simply put, with a two-sided coin sitting on its side in the middle of a field of general apathy. On one side of that coin sits a large, angry, delusional minority of religious zealots whose entire lives have been spent in a veritable echo chamber of self-righteousness and magical thinking. On the other sits their opposite extreme, far left social engineers with an alarming level of self-interest pushing various agendas with no real awareness of what they are up against. Meanwhile, on that field of apathy, we have small groups of people just starting to open their eyes and realize what's happening while they watch their streaming shows and stupidly put the names of their children on signs outside their houses complete with the names of their schools as celebration. 

The demands for censorship we are seeing are primarily but by no means exclusively coming from the Right. The difference is the Right's agenda is far more organized because Right-wingers tend to think alike whereas one of the strengths and weaknesses of Left-wingers is their lack of constant, mindless agreement with one another. But where exactly are these calls for book banning coming from and who is initiating them? You might be surprised by the answer:




Surprised? You probably are. Who would have expected school and library boards to issue more challenges than political and religious groups? Who expected the number of elected officials doing it to be lower than the percentage of librarians and teachers? The second column tracks with conventional wisdom, however, as does the third one. It is interesting to note how much importance is placed on the written word vs. other types of media. No matter what, words on a page (or a screen) still cause more discomfort than images and songs. The reason for that should be obvious. Their entire worldview is based on the written words in a book they believe is the only one anybody needs because all of the answers are found in its pages.

Here's the part so many non-believers and rationally minded believers do not get about these people. They indulge in constant magical thinking. In their minds, all fiction is based on belief, most of it running contrary to theirs. They are a bizarre combination of irrationality and literal-mindedness that makes it nearly impossible for them to grasp metaphor and subtlety, let alone allegorical social commentary. In fact, those words are meaningless to them because their over-simplified worldview is based on the most basic concept of good vs. evil resulting in simplistic reward or punishment. There is no nuance there.

This is why when these groups are challenged to present one specific example of why they consider a book unacceptable, they either cannot do it or can't be bothered to even try. What's the point in offering specifics when the entire thing is based on Satanic appeasement? Trust me, when they use the word "Worldly," it's not a positive thing. The actual definition of that word is someone who is well-rounded and educated, but they use it to mean someone who is by default in league with the devil because they are "of the world." The world is evil because of humanity's fall from Grace, despite the efforts of Jesus in the New Testament to usher in an Age of Grace.

It is this very contradictory nature that makes it impossible to reason with book banners who are doing it for religious reasons. Reason is just another way of moving away from God in their estimation. Science is the devil's religion, at least that's what a similar-minded friend once said to me in a matter-of-fact tone of voice.  Funnily enough, following the tiny bit of logic contained in that mentality, one would think politics would be the devil's playground. Yet Evangelicals have been infiltrating local government for decades so they could enact their peculiar brand of American Christianity. Library boards, school boards and city councils were just the beginning. They are well beyond that now and their lack of willingness to engage in the realm of ideas is slowly affecting our lives in ways that are becoming more and more apparent.


(If you wish to join the fight against library censorship, contact these fines folks and make your voices heard)


Wednesday, August 17, 2022

Pondering my Novel

 As I am now 6,000-8,000 words away from finishing my novel, "2012/2021" I have begun noticing the themes that I wasn't necessarily consciously aware of until I'd been working on it for several months. My intent was always twofold: To write my own Vonnegut-type of novel and to write the novel I wish I'd written when I published "Dreamers at Infinity's Core." And all it took was a global pandemic, idiots who thought it was fake despite overwhelming evidence to the contrary, and unbelievable amounts of selfishness and self-entitlement.

Funnily enough, the COVID pandemic is only mentioned sparingly in the novel and never by name. I felt keeping it more abstract and ominous worked better as a plot device. Besides, the main protagonist is from the year 2012, so he really has no idea what's coming in 2020. This is a novel packed with ideas and images and connections that bridge time, space and reality itself. Making it about COVID would defeat the purpose and run the risk of becoming preachy. This is not a preachy book. It doesn't slow down long enough to preach.

It does, however, deal with themes that are sure to make some people uncomfortable. It also offers answers that many would resoundingly reject for fear of feeling as if their entire lives were pointless. Others will feel emboldened by the purposefulness they find in the narrative.

Without going too deeply into the story itself, here is a list of themes I have noticed as I close in on the novel's intentionally 


  • Selfishness
  • Greed
  • Lack of Empathy
  • Self-righteousness
  • Corporate dominance
  • The nature of creation
  • Cult-like mentalities
  • Doppelgangers
  • Regret
  • Redemption
  • Helplessness
  • Courage
  • Dream logic
  • The soul-crushing experience of retail work
  • The inherent shallowness of thoughts and prayers
  • Revolution
  • The death of objective thought

And that's just off the top of my head! "2012/2021" isn't so much a story as an unraveling that feeds on itself like my own mind.

I can't wait to see it get rejected over and over!

Tuesday, July 12, 2022

My Emmy Picks for 2022

 Below is a list of the nominees for Emmy Awards for 2022. I have highlighted my choice for each section. Keep in mind, some of my selections are based on having only seen that series or that actor and none of the others.

  • Outstanding Drama Series

    Better Call Saul
    Euphoria
    Ozark
    Severance
    Squid Game
    Stranger Things
    Succession
    Yellowjackets

  • Outstanding Comedy Series

    Abbot Elementary
    Barry- A very close second but it's not really a comedy.
    Curb Your Enthusiasm
    Hacks
    The Marvelous Mrs. Maisel
    Only Murders In The Building
    Ted Lasso
    What We Do in the Shadows

  • Outstanding Limited Or Anthology Series

    Dopesick
    The Dropout
    Inventing Anna
    Pam & Tommy
    The White Lotus

  • Outstanding Lead Actor In A Drama Series

    Brian Cox — Succession
    Lee Jung-jae — Squid Game
    Bob Odenkirk — Better Call Saul
    Adam Scott — Severance
    Jeremy Strong — Succession

  • Outstanding Lead Actor In A Comedy Series

    Donald Glover — Atlanta
    Bill Hader — Barry
    Nicholas Holt — The Great
    Steve Martin — Only Murders In The Building
    Martin Short — Only Murders In The Building
    Jason Sudeikis — Ted Lasso

  • Outstanding Lead Actress In A Comedy Series

    Rachel Brosnahan — The Marvelous Mrs. Maisel
    Quinta Brunson — Abbott Elementary
    Kaley Cuoco — The Flight Attendant
    Elle Fanning — The Great
    Issa Rae — Insecure
    Jean Smart — Hacks

  • Outstanding Supporting Actor In A Drama Series

    Nicholas Braun — Succession
    Billy Crudup — The Morning Show
    Kieran Culkin — Succession
    Park Hae-soo — Squid Game
    Matthew Macfadyen — Succession
    John Turturro — Severance
    Christopher Walken — Severance
    Oh Yeong-su — Squid Game

  • Outstanding Supporting Actor In A Comedy Series

    Anthony Carrigan — Barry
    Brett Goldstein — Ted Lasso
    Toheeb Jimoh — Ted Lasso
    Nick Mohammed — Ted Lasso
    Tony Shalhoub — The Marvelous Mrs. Maisel
    Tyler James Williams — Abbott Elementary
    Henry Winkler — Barry
    Bowen Yang — Saturday Night Live

  • Outstanding Supporting Actress In A Drama Series

    Patricia Arquette — Severance
    Julia Garner — Ozark
    Jung Ho-yeon — Squid Game
    Christina Ricci — Yellowjackets
    Rhea Seehorn — Better Call Saul
    J. Smith-Cameron — Succession
    Sarah Snook — Succession
    Sydney Sweeney — Euphoria

  • Outstanding Supporting Actress In A Comedy Series

    Alex Borstein — The Marvelous Mrs. Maisel
    Hannah Einbinder — Hacks
    Janelle James — Abbott Elementary
    Kate McKinnon — Saturday Night Live
    Sarah Niles — Ted Lasso
    Sheryl Lee Ralph — Abbott Elementary
    Juno Temple — Ted Lasso
    Hannah Waddingham — Ted Lasso

  • Outstanding Variety Talk Series

    The Daily Show With Trevor Noah
    Jimmy Kimmel Live!
    Last Week Tonight With John Oliver
    Late Night With Seth Meyers
    The Late Show With Stephen Colbert

  • Outstanding Documentary Or Nonfiction Series

    The Andy Warhol Diaries
    The Beatles: Get Back
    jeen-yuhs: A Kanye Trilogy
    100 Foot Wave
    We Need To Talk About Cosby
    My Next Guest Needs No Introduction With David Letterman
    The Problem With Jon Stewart
    Stanley Tucci: Searching For Italy
    Vice

  • Reality Series (Structured)

    Antiques Roadshow
    Fixer Upper: Welcome Home
    Love Is Blind
    Queer Eye
    Shark Tank

  • Animated Series

    Arcane
    Bob’s Burgers
    Rick And Morty
    The Simpsons
    What If…?

  • Short Form (Animated)

    The Boys Presents: Diabolical
    Love, Death + Robots
    Robot Chicken
    Star Wars: Visions
    When Billie Met Lisa

  • Categories where I hadn't seen or heard of the nominees were omitted. Feel free to disagree with me in the comments.

Monday, May 16, 2022

Sticktoitiveness

 

This has been me for many, many years. Obviously I'm not alone or nobody would have created this meme. Okay, maybe I would have, but nobody else.

This year I resolved to begin and complete my novel "2012/2021" and I am on track to see do. All other ideas and short stories have been set aside and this book is literally the only fiction I have worked on since the year began. 

I fully expect to be finished with the first draft by no later than mid-June.

The writing of "2012/2021" has been incredibly rewarding, perhaps the most rewarding writing experience I have ever had. It is the novel I've always felt I had in me but was not yet able to capture it the way I wanted. The pandemic changed that. 

So, if anyone still reads this blog and was wondering why I don't post as often as I used to, that's the reason. 

Tuesday, April 26, 2022

Some Chapter Titles from my Work in Progress "2012/2021"

 

Chapter One: Those Wacky Mayans

Chapter 4: Displacement, Dat Placement or de udder Placement

Chapter 5: From Better Best to Sweater Vest

Chapter 6: Ain’t Nobody Got Time for DAT

Chapter 8: Opinions are Like Maskholes...

Chapter 11: Memories & Other Things That Never Happened

Chapter 13: At the End of the World Resides Myrtle

Chapter 15: Absolute Truth Ain’t Always Absolute Proof

Chapter 16: Symmetry at the Cemetery

Chapter 20: What are you doing, Daves?

Chapter 22: A Tale of Two Psychos



As you can see, I've been rather busy. Nearly 60,000 words as of this writing and I couldn't be having a better time. This is the novel I've been wanting to write for years without actually knowing it and I hope, when the time comes, it will be well-received and given a chance to be read by others.


Thursday, March 10, 2022

Book Banning & the Death of Discomfort

 


Last month Young Adult Fiction author Bill Konigsberg wrote what is perhaps the best written, most comprehensive refutation of book banning I have seen. It was in reference to his novel, "The Bridge" (pictured to the left) which deals with teenage suicide. In his letter, Konigsberg tries to speak rationally to irrational people in a tragically pointless appeal to their intellects. If there have been any responses from the "concerned parents" who wish to remove his work from school libraries, I haven't seen it. 

It's doubtful they will engage him in a battle of wits when they are so poorly equipped. Book banners are not thinkers, they are reactors. They allow emotion and beliefs of a mostly archaic nature to guide their choices. There's also an element of tribalism in their decision-making, whether it be racial or religious in nature. It's often both. These are people who lack the ability to think beyond themselves, the pinnacle of provinciality. 

Most often, the parents demanding book removals from school libraries see the world in a severely limited way. It is a form of magical thinking that frames all issues into an odd combination of advocacy and promotion. Because so many of them operate based on nothing but faith, they are unable to grasp the concept of presenting ideas just for discussion or as a challenge to preconceived notions. This is threatening to the magical thinker because an alternate view only exists to lure them away from the absolute certainty of the system they follow. For example, Yoga cannot be positive in its purest form because it has a spiritual component. That automatically means there is evil encoded in its rituals and one must be on guard against its conniving ways. For the magical thinker, the only good alternate idea is one that has been co-opted by their belief system.

Take a look at karate if you don't believe me. I'll even make it easy for you. Take a look at this website. Read their bullshit spin job on the history of martial arts where they try to justify their outright theft or cultural appropriation by citing other cultures with martial arts traditions from the ancient world that were not Asian in origin. They weren't Christian either but who needs details to spoil a good lie? They even somehow include creationism and the absurd claim that Earth is 6,000 years old as a method for whitewashing their use of  a non-Christian fighting art. If they have concerns over the "strong occult powers entrenched in Asian practice," why don't they practice one of the other arts they mention from Egypt and Pakistan? 

Quick answer: They don't need to. They already control the narrative.

But they don't control the narrative of books like "The Bridge" or Art Spiegelman's "Maus," another title these tireless parental crusaders have gone after because it makes their sensibilities all squirmy. The latter is an even more egregious example of book banning. These close-minded individuals took this man's father's life experience during the Holocaust and got rid of it because there is foul language and some nudity. One parent even accused the school library of "promoting" these things by carrying the book. Once more we return to magical thinking, where no idea is up for discussion because it only exists to disrespect the Absolute Truth. Instead of talking about these elements of a story and placing them in proper context, i.e. the supposed "sexual explicit behavior" in Konigsberg's book of which there is none. I read it.

I read "Maus" too. So I can tell you without fear of contradiction that only a person with little to no ability to use basic cognition would be offended by it or even want to prevent their teenaged child from reading it.

Despite my obvious disdain for the realm of dogmatic reactionary claptrap coming from the majority of these parent watchdogs, there is another aspect to all of this that I feel is being either ignored or going unnoticed. 

Much of what gets read these days is fluff. It's been that way for decades, especially in the mainstream Fiction world. Sadly, there are two celebrities we can thank for that. Oprah started it with her book club and Reese Witherspoon has continued it with hers. Both of these women, neither of them authors of fiction, do what most non-experts do when it comes to selecting titles for their respective clubs. They choose what they like based on how the books make them feel. Sometimes there's a challenge embedded in the stories, but somehow things usually work out favorably by the end. Discomfort becomes a temporary thing, the method by which the reader can be transported into a tale that will ultimately make them feel good about themselves and the choices they have made in life.

That is, of course, a generalization. I know Oprah recommended books such as "The Bluest Eye" by Toni Morrison which, by no means, ends in a mostly positive place. And I'm not even referring to the book clubs these two famous actors endorse as trash peddlers. There are plenty of quality works on their lists. But the readership is not looking for stories that pull them too far out of their comfort zones. And if adults feel this way, they naturally assume they must protect children from the opposite as well.

Discomfort is important. Vonnegut's "Slaughterhouse Five" wasn't written so that we could applaud the bombing of Dresden. He was there. He lived it. And just like Spiegelman, he wanted to share that part of himself with the world in an attempt to help his fellow humans understand what we are capable of and why we must expose ourselves to things that don't make us feel good about ourselves. Not all reading is for entertainment. I would expect even the least educated parents out there to know that titles in a school library are there because students can learn from them. 

Even when they have naughty words and side-boob and make us wonder if our beliefs suck and need to be changed.

Tuesday, February 1, 2022

Quote of the Month

 It's only the first but this lengthy one has already earned it spot the Quote of the Month! Written as a comment on an article asking why so many "Latinx" TV series get cancelled, this imagined dialogue was one of the responses:


White people: Bro! Did you know that you don't really have a gender neutral/all inclusive word for Latinos or Latinas?
Latinos: uhhh... yeah. Well we don't really have a need for...
White People: WE GOT IT! How about we just start calling all of you Latinx instead!? That way we won't offend any of you!
Latinos:.... let's get this straight. You just invented a word outta thin air, so that you could fix our language? Yeah... that's pretty insulti...
White People: NO NEED TO THANK US!!! We love coming up with solutions to problems that never existed!!! 😁👍
Latinos: 😑🖕

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