Showing posts with label dark fiction. Show all posts
Showing posts with label dark fiction. Show all posts

Monday, December 4, 2023

SHORT STORY ACCEPTANCE

 Having been incapacitated since the day after Thanksgiving from COVID, I was pleased to wake up this morning to a short story acceptance by Ghostlight Magazine. The editor's letter was most welcome indeed!



Good evening, Chris! 


Thank you for your patience. I am happy to accept "In the Freezer" for the spring issue of Ghostlight. I hope you are pleased. 

Your piece is darkly fun and I love the twist ending. This is the kind of story I want in our anthology. 

I will send the contract this week. 

Be well.

Nicole e. Castle
Editor, Ghostlight 


I will post the appropriate link once I know more.

Thursday, December 1, 2022

Vote for Me

 My short story, "Floorboards" is currently in the top 25 on Storybilder and you, you lucky person you, can vote for it by clicking this here hyperlink!



Thanks in Advance!



Wednesday, November 23, 2022

The Literal-Mindedness of Evangelicalism

 

"Why pay for movies when you can pay me?"
You would think someone who operates exclusively on faith would be able to grasp abstract concepts in lieu of being suffocatingly literal-minded. And while that is, perhaps, true of some true believers out there, it's not true of your typical Evangelical Christian. They don't view anything they believe as metaphorical or representative of some greater, impossible to define truth. They take it all at face value and, even worse, they project that mentality onto the rest of us.

Especially those of us who dare write fiction.

Recently, I saw a video clip of an Evangelical preacher admonishing people for watching horror movies. His bone of contention was that the films somehow convince us that the entities they feature are more powerful than they actually are when all one really needs is Christian faith to essentially stomp these beings into the ground for Jesus. This preacher went on to decry all horror films as an attempt to deceive people from the truth of the Gospel. That's all well and good. He can believe whatever he wants, but what he can't do is speak as an authority on something he clearly knows nothing about.

This certainly wasn't the first time a preacher arrogantly proclaimed his knowledge about the so-called "secular world" and it sadly isn't anywhere near to being the last. It's yet another in a long line of misconceptions uttered by someone who entire existence is informed by magical thinking. It's a fascinating contradiction to be both literal-minded and entirely lacking in logic, but when one's false sense of righteousness is backed up by the bubble they operate within, it is unavoidable. 

"We're lookin' for the guy that called us weak and defeated."

First off, horror is so much more than movies featuring demonic entities of the Judeo-Christian variety. There are several sub-genres, some of which don't include the supernatural at all. Secondly, the preacher's assertion that demons are defeated beings living under our feet is a provincial one at best. Not everyone believes that and not every culture's demons are former uppity angels who got their comeuppance. In some belief systems, angels are indeed equal to their counterparts. Thirdly, the preacher's woeful ignorance of the genre and its history is on full display because he has no idea what traditions are being drawn from. You think he knows about Lovecraft's Ancient Ones or Clive Barker's pleasure/torture vision of Hell? 

Most importantly, he misunderstands (whether intentionally or unintentionally) the entire point of horror, which is to provide much-needed catharsis for the audience watching it. Fear is only a bad thing if it's given more power than it deserves. By proclaiming all fictional horror part of some greater conspiracy to perpetrate a lie about Christian-centric demons, he stands revealed as little more than a peddler of ignorance desperately trying to understand a word that makes little sense to him otherwise. The sad part is there are millions of Americans are not only willing but also happy to follow along.

I can't think of anything more horrifying that that.

Thursday, November 10, 2022

Excerpt from "2012/21," the First-Draft-Completed-Editing-in-Progress-Novel






This is not where I truly belong. This is a nightmare of epic proportions, the kind of bad dream brought on by late night drinking and total despondency. 

The smell is the first thing to hit me, followed by the sight of bodies stacked as high as the eye can see. I shouldn’t be able to smell anything in this state and I for damn sure shouldn’t be able to handle such a smell without gagging. That means I’m being allowed to experience the stench of death and decay without becoming overpowered. Unlike me, the living walk around in those yellow containment suits you see in movies when there’s been some type of outbreak. 

Somewhere not too far away, somebody cries. It is impossible to tell the sex or age of the person because the despair they express transcends any of that. The grief stretches throughout the street as refrigerated trucks are loaded with body after body. The loaders aren’t even using gurneys, they’re just grabbing the dead people from both ends and tossing them inside the truck into the storage beds like sacks of wheat.

Someone yells, “Christ, Craig! This one’s still alive!”

I can’t see who said this or who they are talking about, but the flurry of activity points to one of the trucks further down the line. 

“What the fuck, Craig?” a female voice says. “How many times do I need to tell you to check them before you shuck them?”

Craig utters a sheepish, “Sorry.” 

That’s the last thing I hear before the scene shifts to what appears to be the outside of a hospital where, if I’m not mistaken, a group of angry people are brandishing protest signs and yelling at medical staff. What could these people have possibly done to incur such rage?

“Fucking crisis actor!” the big guy in the red baseball cap nearest me says, spit flying from his mouth.

The woman in scrubs standing like a statue before him wears a surgical mask and says nothing as he keeps accusing her of lying to the American people and calling her a pedophile.

Where the hell did that come from?

None of the medical folks are reacting to the angry men screaming in their faces like demented toddlers. It’s probably the bravest thing I’ve ever seen, except I don’t know what the hell is going on.

Where is my guide? I don’t care how hideous it is, I would welcome its presence right now. It would be far less nightmarish than what I’m witnessing from my fellow human beings. 

I decide to walk on, past the unmoving medical staff, past the angry, mostly unmasked protestors, past the news crews who are obviously eating all this shit up. I need sanity, peace, something that makes sense. I find the exact opposite on the next block.

Pamphlet-waving, saliva-spewing men and women beckoning all of us who pass by to come hear what they have to say. Most of them want us to sign their petitions for this group or against that group or for no group at all. They have markedly different beliefs but they all somehow sound the same. This whole scene feels less like reality and more like metaphor, but there’s a gritty realism to the whole affair that stubbornly keeps me from dismissing it as such.

Ignoring the shouting would-be activists, I glance to my right and stop dead in my tracks. On the side of an abandoned brick building, somebody has painted, in giant red letters: THE MAYANS WERE WRONG!

It’s all too much. I don’t feel myself hit anything when I pass out, but everything goes black

 

Tuesday, April 26, 2022

Some Chapter Titles from my Work in Progress "2012/2021"

 

Chapter One: Those Wacky Mayans

Chapter 4: Displacement, Dat Placement or de udder Placement

Chapter 5: From Better Best to Sweater Vest

Chapter 6: Ain’t Nobody Got Time for DAT

Chapter 8: Opinions are Like Maskholes...

Chapter 11: Memories & Other Things That Never Happened

Chapter 13: At the End of the World Resides Myrtle

Chapter 15: Absolute Truth Ain’t Always Absolute Proof

Chapter 16: Symmetry at the Cemetery

Chapter 20: What are you doing, Daves?

Chapter 22: A Tale of Two Psychos



As you can see, I've been rather busy. Nearly 60,000 words as of this writing and I couldn't be having a better time. This is the novel I've been wanting to write for years without actually knowing it and I hope, when the time comes, it will be well-received and given a chance to be read by others.


Thursday, November 18, 2021

Saturday, October 30, 2021

Print Edition Available!!!

 

The Fall 2021 edition of the Horror Zine featuring my story "Package" is now available for ordering in both kindle and paperback!



Click for deets!


And then slap me right across the mouth for writing "Deets."

Thursday, September 30, 2021

Editorial Praise

 "Well, Christopher, you did it again. Your story is brilliant. I absolutely love it. Your ending took even me by surprise, and that is hard to achieve.

You also write professionally, so the edits are minimal....

Let me know if you approve the edits. Some day I will do another "Best of The Horror Zine" antho and this story will definitely be included.

See attached. Let me know if you approve the edits.

Thanks,
Jeani Rector, Editor"


"Looks great! Thanks so much for the kind words!"


"Wonderful. You know, you really can write. I'll be in touch."

Saturday, July 31, 2021

Who Knows What Hackery Ruins Great Characters? James Patterson Knows.

 

This disgusts me. Not only because of the so-called "author" who purchased the rights to arguably the greatest pulp era character in literary history, but also because Patterson doesn't even write the material bearing his ubiquitous name.

Oh, you didn't know that? It's surprising to me how many don't, including some librarians I have worked with in the past. That's right, kids. James Patterson is a brand name under which hungry writers toil  so he can appear as if he is the most prolific author of all time. Click here if you doubt me.

There are other authors whose names appear on books on a monthly basis. Nora Roberts a.k.a "J.D. Robb", Debbie Macomber, and Laura Snelling come to mind. There are also authors who haven't let a pesky little obstacle such as death keep them from cranking out book after book. Agatha Christie ain't goin' out like that and neither is V.C. Andrews, both of whom have been dead for a long time and still meet their, ahem, deadlines.

The quasi-con of publishing dead authors who didn't actually write the material being published has been going on for a long time. Unfortunately, so has the one involving writers who only wrote a few of their own books before hiring a virtual sweatshop of aspiring writers to do all the work under that person's pen name. Mack Bolan author Don Pendleton did it. So did Oprah's least favorite author/franchise  runner James Frey. So, Patterson certainly isn't an original in this regard. Actually, he's not an original in any sense.

For those unfamiliar with the Shadow character and its history, he is, quite simply, the superhero archetype. As a pulp era hero, he dealt with more grounded situations such as murderers, spies and the occasional misguided scientist. The radio dramas were hugely successful and, in my opinion, the ones where the character was portrayed by Orson Welles were among the best spoken word drama ever made. Without the shadow, there would be no Batman. 

The Shadow's two most famous sayings, "Who knows what evil lurks in the heart of men? The Shadow knows" and "The weed of crime bears bitter fruit" could be seen as templates for nearly every costumed hero's philosophy over the past nearly one-hundred years. He is a character firmly rooted in the Depression era, steeped in noir-ish grandeur and filled with the charm of a more innocent but still very dangerous time. 

A brief perusal of the plot of this Patterson-endorsed Shadow reveals a ridiculously insipid tale of time travel and a character with super powers that were never in his box of tricks. The publisher disagrees with that, of course, as evidenced by this gem of a quote:

“James Patterson is the all-time master of the American thriller genre,” said Markus Grindel, Managing Director, Global Brand Licensing, Condé Nast. “The origins of that genre began with The Shadow stories of New York’s golden age. There’s a natural creative match at work here along with a significant through-line.”

If you want quality Shadow storytelling, look no further than the graphic novels published by Dynamite Entertainment. The writers over there understand the character and aren't trying to shoehorn him into idiocy for the sake of their own egos.


Wednesday, October 14, 2020

The Cover of my Next Anthology Appearance Finally Unveiled!!!

 

Here is the final cover for "After the Kool-Aid is Gone," the latest anthology to feature one of my short stories and, I assume, short stories by a bunch of other people. Okay, no assumption is necessary. I've met then online. They exist and they're extremely talented. But enough about them. My story is the one that features the true reason behind the Reagan assassination attempt and the inhuman creature that controls our destinies.

I love the retro political cartoon look, serving as a not-so-subtle reminder that we have been here before and will be again.


Soon to be released, "ATKIG" as the hipsters are calling it, is another timely anthology that really shows how well art and technology can work together, especially when the world is rapidly descending into the cosmic toilet.






More on this anthology once it's available for preorder~

Monday, September 14, 2020

To Every Story its Time

Kool-Aid-Man It happens every time.

I hit a period of non-stop creativity where I crank out several stories at once, and then it comes to a screeching halt. Somewhere in that process, I start submitting my work to various publishers, sometimes scoring an acceptance or two early on and then...nuthin'. 

And that's okay. It stopped bothering me a while ago. My original strategy involved descending into self-loathing, rushing headlong into impostor syndrome and, when those failed, rewriting older stories until I got my mojo back. Speaking of older stories, I have a few I have been trying to get published over the years. One such work, titled, "The Gipper Memorandum," sat in my files since 2012, occasionally rearing its head whenever I felt a publisher might be interested in publishing it. 

Lately, my run of luck has been of the sucking variety. Rejections didn't exactly flood in but they definitely trickled water onto my forehead with each disappointing email. Reasons ranged from the generic "not for us" to the "man, that's good writing! Sorry, no" variety. At least one came with compliments for "parts" of the story, concluding with the painful "it's too preachy" opinion.

So, when I opened my email this morning and saw two emails from publishers to whom I'd sent stories, I assumed they too would be negative responses. The first one turned out to be simply a confirmation of receipt. The second one was an acceptance of a story that was written in 2012. 

I never lost faith in "The Gipper Memorandum" but I did reach the conclusion that it was probably a story for a short fiction collection. A so-called "Added treat" in the form of an unpublished story. But then some big shot editor had to go and accept it and ruin the surprise for everybody! 

I am, of course, beyond pleased to see one of my older stories finally get picked up. If anybodsy takes anything away from my post, make it this: Don't just leave those stories and novels in your desk drawers and on your hard drives. Assuming you tried to get them published, try again and again. Sometimes it's all about timing and, in my case, waiting until there's a fascist lunatic in charge of a country that should know better. 

I will post more anthology info for "After the Kool Aid is Gone" once it becomes known~

Saturday, July 25, 2020

That Time I Didn't Know I had a Story Republished.

In 2019, I submitted a story that was originally written for and rejected by a different anthology to Jeani Rector's print version of The Horror Zine. It was accepted and published in the Spring 2019 issue (pictured below).

However, while being a bad boy and Googling myself with the word "terrible" in a vain effort to locate some funny negative criticisms about my work, I instead ran across the following search result at the top of the screen:

Search Results

Web results

The May Selected Writer is Christopher Nadeau ... more, informing him his behavior was outrageous, unprofessional, classless and, worst of all, pissing me off.

The way that reads, I thought somebody was talking about me! Excited to see what terrible thing somebody thought I had done, I instead happened upon an issue of the online version of the Horror Zine, which I'd always thought was a whole separate thing. Yet, there I was for the third time as featured writer without even knowing it. It turns out the verbiage was an excerpt from my own story.

Click the link below to read "The Time of Expansion," one of my favorite stories even though I didn't remember it when I read it :)



Story link

Monday, July 13, 2020

Official Anthology Cover Image

As the date of publication creeps ever closer for the anthology that features, among other wonderful stories, my piece entitled, "Days of Touch and Death" I will begin posting whatever bits of information I am given.

 As of now, August 15th is the publication date. Here is an image of the front and back covers:



Ordering info will be posted when available.

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