Quote of the Month

 It's only the first but this lengthy one has already earned it spot the Quote of the Month! Written as a comment on an article asking why so many "Latinx" TV series get cancelled, this imagined dialogue was one of the responses:

White people: Bro! Did you know that you don't really have a gender neutral/all inclusive word for Latinos or Latinas?

Latinos: uhhh... yeah. Well we don't really have a need for...

White People: WE GOT IT! How about we just start calling all of you Latinx instead!? That way we won't offend any of you!

Latinos:.... let's get this straight. You just invented a word outta thin air, so that you could fix our language? Yeah... that's pretty insulti...

White People: NO NEED TO THANK US!!! We love coming up with solutions to problems that never existed!!!

Latinos:

Dispatches From the Coronavirus Days #13- Welcome to the End

Wait till they find out how many executive orders Trump has signed!

It's been ten days since I last posted on this blog and the world has some become an even crazier, more tragic place than it was then. On April 20th, there was still gallows humor to be found in the reality of so-called "Operation Gridlock" protests cropping up around the nation. As it turns out, however, that was really little more than a dry run for a much darker agenda, namely rightwing extremists seizing on any opportunity to play paramilitary dressup and scream at actual accomplished people because of their own feelings of inadequacy.

"Look, Daddy! Am I a man now?"

In Michigan, where the idiocy has reached near godlike proportions, we got to watch our state capitol of Lansing beset upon by these gun-wielding ignoramuses. These Constitutional scholars stood above the legislators and hurled verbal insults and demanded their way, all while not observing social distancing (which was supposed to result in a ticket after one warning) and making sure their proxy penises were visible. 

One is forced to wonder how this exact same scenario would have played out had the protestors been African American, Hispanic or, God forbid, Native American. But it's okay, because everybody knows that only white conservatives respect the "Man in Blue."

OOPS!!!

Well, we can at least assume they have their priorities straight, right? It's not difficult to understand why people who already go through life with massive persecution complexes on their shoulders would feel that way when Facebook removed their event pages. How else do you get the dozens of people needed to embarrass an entire state? Naturally the spin is that Facebook is censoring them when in reality the pages were removed because the organziers weren't encouraging and requiring social distancing.

Governor Whitmer, speaking as I write this, referred to the demonstrations as "disturbing" while citing the Nazi and Confederate flags on display. She also nicely mentioned mental health help for people who may not be handling this pendemic well. The inference was impossible to ignore.

Deadly Bargain: A Colors in Darkness Anthology: Another Positive Review.

Not only did I just receive my copy of this anthology featuring my short story, "Your Future for a Low, Low Price," but I also happened upon another positive reader review. This one doesn't mention my name but since the reviewer thought all of the stories were great, it kind of does!

Read it here.

First Review of "Deadly Bargain" is in.

Although the print version of the "Deadly  Bargain" anthology has yet to be published, the Kindle edition has received a positive review which can be read here.
Regular readers of this blog know I'm not so egocentric as to only include reviews that mention my stories and name, so they shouldn't be surprised I'm including this one. My point of view is every positive mention helps whether I am singled out or not.

Official Release.

The "Deadly Bargain: A Colors in Darkness Anthology" Kindle Edition is now live and ready for ordering. This one features my short story, "Your Future for a Low, Low Price," a tale I'm rather proud of.

Order it here.

Pre-Order your copy of "Deadly Bargain" NOW!!!

The  Kindle edition of "Deadly Bargain: A Colors in Darkness Anthology" is now available on Amazon for pre-order. The rule for this one was simple, so of course I almost didn't do it correctly. Basically, the stories needed to involve a bargain struck with a stranger that turns out badly for the protagonist. In other words, just enough detail but not so much that the act of creation becomes an act of constriction.

However, it wasn't until I was three-quarters of the way finished that I realized I'd missed one final detail: The bargain supplier had to be the same guy in every story. Normally that wouldn't be a problem if not for that fact that my contrary ass (apparently even on an unconscious level) had created a character who could not have been more opposite in appearance and national origin.

In a flash of inspiration (or desperation, if you prefer) I came up with a solution to what turned out to be a tiny problem. The point being made about hatred of the other carried even more weight now and, because I despise preachy fiction, I chose not to dwell on it for longer than a few sentences. What resulted was a story I consider one of the better ones I've written in the past year, my so-called "comeback" period.

Click here to learn more!

Publishing Update.

Despite 2019 getting off to a rocky start, there has been some positivity peaking through the darkness. The Colors in Darkness anthology "Deadly Bargain" pictured above is well on track to being released. I just emailed off the requested edits, of which I can proudly and cockily say there were only three minor ones.

Also on its way in the next couple months is a non-fiction piece collected in a specialty book. I've been asked to wait until this coming Monday to reveal more info. Most of you probably won't care because of how specialized it is but it's a big deal to me.

I have plenty of stuff out there being scrutinized and I'll be sure to share those outcomes as well.

For Those Who Think So-Called "Social Justice Warrior" Fiction is Something New.

May I present an entry from Stan Lee's column written in the late 1960s? Can you see you're on the wrong side of history yet? If not, here's a not-so-subtle hint: Stan is responding to people like you.

A Different Take on the Apu Controversy.

Maybe you've read about this but in case you haven't, here's a brief synopsis and a link if you want to read further:

The character of Apu on the long-running "The Simpsons" has been singled out as a particularly offensive stereotype thanks to a documentary by comedian Hari Kondabolu called "The Problem with Apu." The film's producer Adi Shankar started  contest to get scripts sent to him that would somehow "improve" the character while still maintaining his place in the Simpsons pantheon. The producers of the series have decided to forego all that and simply drop the popular character from the series, likely minus any fanfare or undue focus.

I have my own views on the whole controversy but I'm not an idiot and won't be discussing them in print. Whether I agree with the documentary's assessment or not, it can be used against me some time in the future. Instead, I have chosen to focus on what I believe is the reason for the response the "Simpsons" producers have chosen.

There has been a problem brewing in the creative world since the Internet went from being an underground rarity to a full-blown accepted part of daily human existence. People have become more involved in their various interests and causes, ridiculously so in many cases, and with that involvement has come an undeserved sense of proprietorship. Somehow real-time interaction has led many to believe they somehow own these franchises they claim to love. This is especially true of Generation X with its constant "You killed my childhood" whining and Millenials who feel the entire entertainment industry is one giant roleplaying game. The moment creation became content, the nature of the field was altered possibly forever.

Konabolu and Shankar are both in their thirties. They have come of age in a time when online slacktivism has been used to accomplish ends both positive and questionable. They know full well the power behind an online movement, even one as seemingly benign as an attempt to "rescue" a character from the perception of negative stereotyping. A contest thrown by someone uninvolved in the series to collect an acceptable script sends a simple and powerful message: We are going to politely yet aggressively make the change we want to see in your product. It is, at its core, a brilliant piece of diplomatic maneuvering and the response of the show's producers was the only one that could have circumvented it.

"The Simpsons" has stood as a monumental achievement of pop culture longevity for three decades. Even for those of us who haven't watched regularly for years, it's obvious they have done something right. And if social attitudes towards one of their characters have changed, one assums they're perfectly capable of dealing with it themselves. By allowing an outsider no matter how well-intentioned to push his way in, they would be sacrificing whatever autonomy they've enjoyed. The same autonomy that has allowed them to outlast any other animated series in history (so far.)

From a writer's perspective, it's a smart move. Everybody knows the show will be going off the air soon. They've made their mark and they want to continue to do so with the time they have left without some guy whose desire it is to hitch onto their accomplishments trying to influence "content." So while it may seem like a compromise, this move is actually the opposite. I applaud the decision not for its end result or even for that fact that the issue hasn't been resolved, but because creators have stood up to a softer, shrewd form of censorship and said no.

Let's Hear it for Diversity (And paid publishing opportunities)!

Sometimes, when one has been writing long enough and has been fortunate enough to see publication of several pieces, there is the occasional feeling that a completed work is a slam dunk. Such was the case with my short story, "Your Future for a Low, Low Price" which was just accepted for publication in the Colors in Darkness anthology "Deadly Bargain" (pictured below).

My story deals with the provided character who first appears as a non-specified Eastern European handyman/peddler in a well-to-do suburban neighborhood who draws the ire of an immigrant-hating Amurican looking for someone on whom he can take out his lifelong frustrations. But when the peddler offers him the future, his rage gives way to something even worse. As soon as I fiished it, I knew it was likely to get picked up by someone.

I don't have a publication date yet but once I do, I'll post an update.

Diverse Voices in Spec Fic and Why Renaissance Festivals are Evil

One of the many reasons I detest Renaissance Festivals is that they tend to push the laughable narrative that all human progress began in Western Europe around the time people started wondering if monthly bathing might actually be a good idea. There's also the fact that it's primarily attended by nerds (not geeks) and individuals who are perfectly at home attending tractor pulls and monster truck rallies. Now that may sound elitist to you and it is, so let's move on, shall we?

More importantly, at least from my perspective, is the negative and continuing affect they have on fiction, fantasy in particular. When I was a kid, I thought all fantasy was based off Western European society and mythology. It's why I grew to dislike it so much as I became an adult. But even the so-called "Urban Fantasy" which is fantasy occurring in modern-day city settings, not African-American in nature, tended to have its rooted firmly entrenched in the history and culture of Europa.

Boring!

As well-made as it is, if I have to suffer through another episode of some "Game of Thrones" style series, I will probably not emerge the better for it. There are so many other cultures out there with stories to be told and retold. Fortunately, those voices are starting to be heard.

What prompted this post was an ad for the novella pictured below. I haven't read it but the concept sounds intriguing and far more exciting than the by-the-numbers Euro-fantasy we normally see.

Let's face it. You're probably pretty dull if your entire fantasy universe consists of Middle Ages wizards and sword-wielding Crusader cliche's. And let's not forget the science fiction equivalent of the noble young white male hero in the making. There are so many authors writing so many stories that don't depend on such lazy by-the-numbers hackery. Some examples:

Cixin Liu
Nnedi Okorafor
Octavia Butler
Samuel R Delany
S.P. Somtow

Try those on for size and let me know what you thought.

The Secret to Writing Donald Trump as a Short Story Subject.

It's really simple to write about Donald Trump in a fictional context because, ultimately, he is a living work of fiction. Nothing about him is genuine except his unerring propensity for absolute, unadulterated self-promoting horseshit. So really, he is the very essence of a caricature of a real person. The problem lies in knowing how to handle this knowledge. He's such an easy target that one could be accused of taking unfair advantage or going for the cheap shot with practically every sentence. He isn't a protagonist I would normally attempt in my writing except I happened to read about an anthology looking for parotic tales starring his royal orange majesty.

How did I figure out what to do? I decided to let the man speak for himself. Only a first person narrative could come close to capturing his word salad, nonsense diatribes. I also decided it was better to avoid turning Trump into a parody since he already is one. To try and take a ridiculous character like him and make him more ridiculous would be...well, you know.

So, it works better to let Trump be Trump and make the situation ludicrous or impossible. Directly quoting him is a good method as well, but it's also fun to write new dialogue that sounds enough like him to fool people into wondering whether or not he actually said it. I first cut my teeth on that one by using the Fake Trump Tweet app. Only the ones that insulted me as a writer were obvious to people.

The story is clipping right along and will probably be finished soon. Then the beta reader(s) get to read it and tell me how much it sucks so I can do a rewrite or two or twelve. Then I'll send it to the anthology and hope for the best. If it's rejected, I'm going to do something I don't normally do and self-publish it since it's far too specific to send elsewhere. That's why I rarely send to anthologies that want such particular submissions, but this was too much fun to pass up.

International Voices Finally Speaking in Science Fiction.

I'm not normally one to join in on the "essential reading" bandwagon and especially when it's work I haven't even read (This anthology doesn't come out for another five days) but in a field traditionally dominated by basically two types of authors, namely men and women of Western European descent, it's about damn time someone else got into the science fiction writing field.

Despite what those idiotic "Sad Puppies" choose to believe, there is a larger, more vital world beyond White Male Christendom-themed tales of human superiority in the realm of speculative fiction .

So, I can't wait for this one and despite the fact that I work for two libraries and could easily read it for free, I think I'll buy it instead.






If it's anywhere near as good as the Chinese science fiction anthology "Invisible Planets" I read earlier this year, I'll be most pleased. Talk about a refreshing, unique approach and execution. Every story was lyrical and compelling.

The Quote That Perfectly Explains my Disdain for Fandom.

 "There was once a false sense that fandom was the place where all of those things were celebrated: Diversity, the fight against bullies of all types, and the front line of those supporting progress and change. Apparently, that was a smokescreen that the Internet has effectively wiped away."

-David Wilson, Writer and Illustrator

A Prime Example of the Writer's Lament

If I wrote a story with a character who was:

a) Anti-gay and
b) Consorted with White Supremacists while
c) Voting in favor of allowing the mentally ill to own guns and
d) Reaping the benefits of free taxpayer-supplied healthcare

who was shot by a crazy man with a legal handgun, saved by an African American lesbian and able to go into the hospital without a worry about insurance coverage because the government is footing the bill, I would be accused of preaching or being a "social justice warrior."

Yet in real life something like this has actually taken place!

Fiction has to make more sense than reality for people to believe it's realistic!

An Intelligent Response to the Moronic White Supremacist Call to Boycott Star Wars Rogue One

The history of science fiction, as a genre, has always held within it a firm and total denouncement of xenophobia and bigotry, and a boundless optimism for a pluralistic universe of possibilities.

Whether it is the extreme pluralism presented in the Star Wars universe, or the quasi-utopia of the Federation in Star Trek, or the much more blatant and outright denouncement of ultra-nationalism and fascism presented in Babylon 5, nearly every major science fiction narrative presents a denouncement against hate and those who use hate and fear as a means for accumulating power. None of this even begins to mention the history of Doctor Who as a political platform, or the works of Heinlein or Frank Herbert.

I've not yet seen Rogue One, but given the history of political undertones present in hints throughout the original trilogy, and placed front-and-center in the prequels, I wouldn't be surprised if this narrative continues here.

If those who exploit ignorance, hate and fear to justify and perpetuate their greed happen find themselves being called out in this film, or in any other, perhaps they should take a good long hard look in the mirror and ask themselves why.

- Scott Mulder